Wednesday, March 14, 2012

Rebecca Berta "Why You Need to Know Fairy Tales"

Cheat from my homework: Why you need to know fairy tales
March 5, 2012

Put your hands up if your parent or guardian never read you fairy tales as a child. No one? Okay, how many of you remember the morals to the stories? I promise these answers are really easy:

Little Red Riding Hood courtesy of Wikipedia

Little Red Riding Hood (LRRH): Be careful when visiting people’s houses and don’t trust a stranger.

Rumpelstiltskin (R): Don’t be greedy.

The Three Little Pigs (TTLP): Do hard work and it will pay off–do it right and it will last.

Have you considered how other details are pertinent to a writer’s knowledge-bank as a modern storyteller? The “cheat from my homework” part comes into this post because fairy tales was the topic of my class today. It was after I had an uh-ha! moment that the class’ message began to click into place.

Since numbers make up a large part of symbolism in fairy tales, when the teacher was talking about symbols, themes, etc, I thought this:

What if the three-act-structure evolved from fairy tales?

This may or may not be so; however, legions of advice has been published about fairy tales and their meanings so what I wanted to hone in on are two aspects which were brought up in class.

1. Recurrent themes (today’s post)
2. Recurrent motifs (future post)

I’m going to run through various themes that are common amongst many fairy tales. As you read through the list, remember each story, notice how they give a different spin on each theme, and how this applies to us as storytellers today.

* Quest – LRRH: A little girl is travelling to visit her sick grandmother; TTLP: sent out by their mother to “seek their fortune”.
* (includes breaking) Law – Cinderella: must be home by midnight (Cinderella knew she had to be home by midnight according to her fairy godmother’s rules); LRRH: The girl’s mother told her to go straight to her grandmother’s place (breaking the law/promise: instead, she stopped to pick flowers and this is how the wolf caused her trouble).
* Death of a parent – Cinderella: Cinderella is an orphan; Snow White: Snow White’s mother, the original queen, dies almost as soon as her daughter is born.

Here are others, which I’m sure you will recall the fairy tales where they occur in:

* Love
* Dungeon/Tower
* Birth
* Separation
* Adolescence
* Injustice

You know what I’m going to say next, don’t you? As I wrote this post, I realised that my favourite series is all the above!

Wait for it (if you haven’t guessed) …

The main trio in the first film and the final installment

The Harry Potter series

As I did above, here’s the list relative to the Harry Potter series. (Note that the ending of the series featured fairy tales directly, via the Brothers Grimm fairy stories, which tied up the point of the series!)

* Quest – Harry Potter and his friends must find a way to kill Lord Voldemort without Harry dying too.
* (breaking) Law – Harry constantly breaks the school rules (usually ends up costing him 50 points for Gryffindor at a time) to save the day.
* Death of a parent – Pretty much self-explanatory. Harry’s parents are killed–not just at any time, but when he is a baby (similar to the way it happens in fairy stories).
* Dungeon/Tower – Moaning Myrtle in the girls bathroom, Sirius in Azkaban, basically the whole darn Hogwarts is a dungeon trapping them in sometimes.
* Adolescence – We, the readers, watch as Harry and his friends grow from little children to the adult age in wizardry.
* Injustice – Throughout books one to six, Professor Severus Snape is overly mean to Harry no matter what he does, for no solid, known reason to the reader.

And it goes on!

Now: HANDS UP if Harry Potter has influenced you as a writer or as a person significantly more than any other book you’ve read.

Harry Potter isn’t just a success because of the amazing trio (Harry, Hermione and Ron), or that children can overpower strong and magical adults, or that the trio go on cool adventures. The moral/message/themes/motifs/etc in Harry Potter are so powerful because they share commonalities with fairy tales.

Fairy tales have been told for centuries because they teach messages to children that help them grow into better people — and they tell it so easy to understand in an effective way through story.

Harry Potter is still one of the most popular series (and I expect will be in centuries to come too) fifteen years after it was first published because it teaches us more about life, people, morals, etc. Understanding and expanding your knowledge of fairy tales will help you develop your storytelling skills too.

Remember to stick around because I’ll be following up this post with another one on “Motif”.

Monday, March 12, 2012

Plot Whisperer for Writers and Readers: Backstory into Front Story

Plot Whisperer for Writers and Readers: Backstory into Front Story: The front story is determined by the characters’ goals and beliefs and traits . Behind the front story of each character is a unique world ...

Sunday, March 11, 2012

25 Insights on Becoming a Better Writer

25 Insights on Becoming a Better Writer
by Jocelyn K. Glei

When George Plimpton asked Ernest Hemingway what the best training for an aspiring writer would be in a 1954 interview, Hem replied, "Let’s say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with."Today, writing well is more important than ever. Far from being the province of a select few as it was in Hemingway’s day, writing is a daily occupation for all of us -- in email, on blogs, and through social media. It is also a primary means for documenting, communicating, and refining our ideas. As essayist, programmer, and investor Paul Graham has written, "Writing doesn't just communicate ideas; it generates them. If you're bad at writing and don't like to do it, you'll miss out on most of the ideas writing would have generated."

So what can we do to improve our writing short of hanging ourselves? Below, find 25 snippets of insight from some exceptional authors. While they are all focused on the craft of writing, most of these tips pertain to pushing forward creative projects of any kind.

1. PD James: On just sitting down and doing it…

Don't just plan to write—write. It is only by writing, not dreaming about it, that we develop our own style.
2. Steven Pressfield: On starting before you're ready…

[The] Resistance knows that the longer we noodle around "getting ready," the more time and opportunity we'll have to sabotage ourselves. Resistance loves it when we hesitate, when we over-prepare. The answer: plunge in.
3. Esther Freud: On finding your routine...

Find your best time of the day for writing and write. Don't let anything else interfere. Afterwards it won't matter to you that the kitchen is a mess.
4. Zadie Smith: On unplugging...

Work on a computer that is disconnected from the internet.
5. Kurt Vonnegut: On finding a subject...

Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style. I am not urging you to write a novel, by the way -- although I would not be sorry if you wrote one, provided you genuinely cared about something. A petition to the mayor about a pothole in front of your house or a love letter to the girl next door will do.
6. Maryn McKenna: On keeping your thoughts organized...

Find an organizational scheme for your notes and materials; keep up with it (if you are transcribing sound files or notebooks, don’t let yourself fall behind); and be faithful to it: Don’t obsess over an apparently better scheme that someone else has. At some point during your work, someone will release what looks like a brilliant piece of software that will solve all your problems. Resist the urge to try it out, whatever it is, unless 1) it is endorsed by people whose working methods you already know to be like your own and 2) you know you can implement it quickly and easily without a lot of backfilling. Reworking organizational schemes is incredibly seductive and a massive timesuck.
7. Bill Wasik: On the importance of having an outline...

Hone your outline and then cling to it as a lifeline. You can adjust it in mid-stream, but don’t try to just write your way into a better structure: think about the right structure and then write to it. Your outline will get you through those periods when you can’t possibly imagine ever finishing the damn thing — at those times, your outline will let you see it as a sequence of manageable 1,000 word sections.
8. Joshua Wolf Shenk: On getting through that first draft...

Get through a draft as quickly as possible. Hard to know the shape of the thing until you have a draft. Literally, when I wrote the last page of my first draft of "Lincoln's Melancholy" I thought, Oh, shit, now I get the shape of this. But I had wasted years, literally years, writing and re-writing the first third to first half. The old writer’s rule applies: Have the courage to write badly.
9. Sarah Waters: On being disciplined...

Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I've got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish – they often are. But then, it is always easier to return to rubbish words at a later date and make them better.
10. Jennifer Egan: On being willing to write badly...

[Be] willing to write really badly. It won't hurt you to do that. I think there is this fear of writing badly, something primal about it, like: "This bad stuff is coming out of me…" Forget it! Let it float away and the good stuff follows. For me, the bad beginning is just something to build on. It's no big deal. You have to give yourself permission to do that because you can't expect to write regularly and always write well. That's when people get into the habit of waiting for the good moments, and that is where I think writer's block comes from. Like: It's not happening. Well, maybe good writing isn't happening, but let some bad writing happen... When I was writing "The Keep," my writing was so terrible. It was God-awful. My working title for that first draft was, A Short Bad Novel. I thought: "How can I disappoint?"
11. AL Kennedy: On fear...

Be without fear. This is impossible, but let the small fears drive your rewriting and set aside the large ones until they behave – then use them, maybe even write them. Too much fear and all you'll get is silence.
12. Will Self: On not looking back...

Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceeding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in... The edit.
13. Haruki Murakami: On building up your ability to concentrate...

In private correspondence the great mystery writer Raymond Chandler once confessed that even if he didn’t write anything, he made sure he sat down at his desk every single day and concentrated. I understand the purpose behind his doing this. This is the way Chandler gave himself the physical stamina a professional writer needs, quietly strengthening his willpower. This sort of daily training was indispensable to him.
14. Geoff Dyer: On the power of multiple projects...

Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I always have to feel that I'm bunking off from something.
15. Augusten Burroughs: On who to hang out with…

Don’t hang around with people who are negative and who are not supportive of your writing. Make friends with writers so that you have a community. Hopefully, your community of writer friends will be good and they’ll give you good feedback and good criticism on your writing but really the best way to be a writer is to be a writer.
16. Neil Gaiman: On feedback...

When people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
17. Margaret Atwood: On second readers...

You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You've been backstage. You've seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a romantic relationship, unless you want to break up.
18. Richard Ford: On others' fame and success...

Try to think of others' good luck as encouragement to yourself.
19. Helen Dunmore: On when to stop...

Finish the day's writing when you still want to continue.
20. Hilary Mantel: On getting stuck...

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.
21. Annie Dillard: On things getting out of control...

A work in progress quickly becomes feral. It reverts to a wild state overnight... it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room. You enter its room with bravura, holding a chair at the thing and shouting, ‘Simba!’
22. Cory Doctorow: On writing when the going gets tough...

Write even when the world is chaotic. You don’t need a cigarette, silence, music, a comfortable chair, or inner peace to write. You just need ten minutes and a writing implement.
23. Chinua Achebe: On doing all that you can…

I believe myself that a good writer doesn’t really need to be told anything except to keep at it. Just think of the work you’ve set yourself to do, and do it as well as you can. Once you have really done all you can, then you can show it to people. But I find this is increasingly not the case with the younger people. They do a first draft and want somebody to finish it off for them with good advice. So I just maneuver myself out of this. I say, Keep at it. I grew up recognizing that there was nobody to give me any advice and that you do your best and if it’s not good enough, someday you will come to terms with that.
24. Joyce Carol Oates: On persevering...

I have forced myself to begin writing when I've been utterly exhausted, when I've felt my soul as thin as a playing card, when nothing has seemed worth enduring for another five minutes... and somehow the activity of writing changes everything. Or appears to do so.
25. Anne Enright: On why none of this advice really matters...

The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.
How About You?

What great writing tips have helped you change your ways?